the bike path

Again, West Virginia, a few weeks ago when we biked along a path that took us eventually to a wonderful mountain laurel forest. Several weeks later, I was at the Portland, Maine Museum of Art looking at a show of New England painters. Two paintings featured mountain laurel! There are no laurel in this painting, but the path is pink. Paths repeat in my landscapes - it's an easy way to lead the viewer into the painting and it's a common theme of walking along life's pathways. Now that I've said this in writing, I may finally stop painting obvious paths. Still, I jog along them, I hike and bike along them, I meditate upon them, I look for the way at all times.

Mrs. O's Red Onions

Gardens are starting to produce, and some crops are overabundant. I had well over 100 cucumbers in just one patch, plenty to share all around. My neighbor, Mrs. O., had more red onions than she could use, so here, captured in paint, and then cellphone photo, are the first bunch given to me in trade for cucumbers. They're too pretty to cut up and eat!

blueberry land

Two weeks ago, my husband and I and another couple took several hikes in the Dolly Sods Wilderness Area of West Virginia. I am not fond of West Virginia - the mountains seem too looming and make me feel closed in, unless, of course, I'm on top of them :-). This plateau area is open and high, so it is a place I like to visit. The view here is coming up a trail from some bog-type areas near a river, through some blueberry fields, soon to arrive at a cluster of very large rocks that look over a valley. The wind is always blowing up there and if you go on a day in early October, let me warn you to take thick parkas and gloves and hats. This is tundra landscape and atmosphere!

Wood's Path

Another painting from the bike trip in West Virginia, along the Greenbrier River pathway. This part briefly took us through some leafy bushes and trees. I love the way the light beckons us on.

on the Greenbrier Trail

OK, here is the painting, step 2. It may be finished, I may tweak it some more.

Yesterday, I wanted to work on this, but did not have any ultramarine blue or cadmium yellow light. Goldilocks came to mind when I first went to the hobby shop in town where I can purchase relatively cheap oil paint - they were closed. On to the "real" art supply store in the historic district where I nearly fainted at the price on the tubes: ultramarine blue - $14.50, cadmium yellow pale - $34.50! I wanted something in between, the price just right.

Came home and dug around in my squirrel pile of old tubes and found nearly squeezed out tubes of both colors. Enough to finish the painting! God provides.

in progress

I thought I would post a painting in progress today. I started this yesterday - palette knife as tool, old painting underneath. I am using up old canvases to save money, in the spirit of the economic times as well as to keep them out of landfills. The downside to using old paintings is that the texture of old work shows under smooth thin paint. At the moment there is a definite ridge line from the previous horizon. Sometimes I wonder whether to add thicker paint to cover up the "blemish" or just leave it as evidence of change.

Also, some of the color peeking through I will leave. Another reason I like recycling old paintings - I take advantage of the color surprises!

This is a scene from a biking trip we took a few weeks ago in West Virginia, along the beginnings of the Greenbrier River.

Sunset St. Michaels

I took a photo of this scene while biking around a neighborhood in St. Michaels, Maryland. So many scenic views of the bay and boats, but I loved the light pouring over the field and past the trees near a golf course. I used a palette knife over a canvas that had been "texturized" with a previous painting. I continued the texture with lots of thick paint. The canvas is now somewhat heavy! It may not last 100 years without cracking, but I enjoy looking at the play of color, knowing that the light really was that bright on that late afternoon.